Pilgrim

Legend has it that Lord Shiva, while disguised as Vayu ("Air") observed that a Spider ("Sri"), a Cobra ("Kala") and an Elephant ("Hasti") each worshipped Him very devotedly at this location. Lord Shiva rewarded them for their penance and relieved them from a curse they had suffered and helped them attain salvation. As a result of this legend, the place came to be known as Srikalahasti.

The historical reference to Srikalahasti occurs in the works of Nakkeerar, a Tamil poet in 3rd Century BC during the Tamil Sangam Dynasty. Nakkeerar referred to Srikalahasti Temple as the Southern Kailash and is said to have composed hundreds of stanzas in praise of "Srikalahasteeswara". Another Poet, a Telugu named Dhoorjati, who was born in Srikalahasti and was part of Emperor Krishna Deva Raya's (Hampi) court also composed hundred stanzas in praise of the deity at the Srikalahasti temple.

Srikalahasi is also one of the "panchabhoota sthalam" which represent the five basic elements of life. The town is said to represent "Air" or "Vayu Sthalam" based on the earlier legend related to Lord Shiva. The remain Pancha Bootha Sthalams are at Tiruvannamalai (Thejo sthalam - Fire), Kanchipuram (Prithvi sthalam - Earth), Tiruvanaikaval (Appu sthalam - Water), and Chidambaram (Akasa sthalam - Space).

Srisailam played a dominant role in our religious, cultural and social history from ancient times. The epigraphical evidence reveals that the history of Srisailam begins with the Sathavahanas who were the first empire builders in South India. The earliest known historical mention of the Hill - Srisailam, can be traced in Pulumavi’s Nasik inscription of 1st Century A.D. The Sathavahanas, the Ikshavakus, the Pallavas, the Vishnukundis, the Chalukyas, the Kakatiyas, the Reedy Kings, the Vijayanagara Emperors and Chatrapathi Shivaji are among the famous emperors who worshipped God Mallikarjuna Swamy. Prataparudra of Kakatiya Dynasty strived a lot for the improvements of this Kshetram and granted Paraganas for its maintenance. Ganapathideva has spent 12000 Golden Nanyas for the maintenance of the temple.

The period of Reddi Kings is the ‘Golden Age’ of Srisailam that almost all rulers of the dynasty did celebrated service for this temple. In 14th Century Prolaya Vema Reddi of Reddy Dynasty constructed stepped path-way to Srisailam and Pathalaganga (Here the river Krishna is called as Pathalaganga) and Anavema Reddi constructed Veera Siromandapam in which the Veerasaiva devotees cut off their hands, tongue, limbs with devotion to attain the realisation of the God. This practice is known as Veeracharam.

The Second Harihararaya of Vijayanagara Empire constructed the Mukhamantapam of Swamy shrine and also a Gopuram on Southern Side of the temple.In the 15th Century Sri Krishnadevaraya Constructed the Rajagopuram on Eastern side and Salumantapas on both sides of the temple.

The last Hindu King who strove hard for the improvement of the temple is Chatrapathi Shivaji who constructed a Gopuram on northern side in the year 1667 A.D.
Be sure to buy some tribal honey, which is packaged by the state govt and sold at the Chenchu Lakshmi Tribal Museum.

Legend has it that the rulers of Kancheepuram the Pallavas patronnized this shrine way back in the 9th Century AD the temple shot into fame with contributions started pouring in only during the time of Vijayanagara dynasty in 15th Century AD. From the year 1843 till about 1933, the administrative activities of the Tirumala temple were overseen by Mahants of the Hatiramji Mutt. The Tirumala Tirupati Devasthanam was formed in 1933 and this autonomous body looks after the functioning of the temple complex even today.

According to Hindu mythology, Goddess Ganga took the form of a river to absolve the sins of King Bhagiratha's predecessors, following his severe penance of several centuries.

The picturesque pilgrimage in the hinterlands of the Himalayas is the most sacred spot where Ganga, the stream of life, touched earth for the first time.

According to mythology, Goddess Ganga, the daughter of heaven, manifested herself in the form a river to absolve the sins of king Bhagirath's predecessors, following his severe penance of 5500 years. Lord Shiva received into his matted locks to minimize the impact of her fall. The river itself begins at Gangotri which literally means Ganga Uttari or Ganga descending. She came to be called Bhagirathi at her legendary source.

According to mythology King Sagar after slaying the demons on earth staged an Aswamedh Yagna to proclaim his supremacy. The King's 60,000 sons born of Queen Sumati and one son Asamanjas of Queen Kesani were to accompany the horse. Lord Indra fearing loss of his supremacy stole the horse and tied it to the ashram of ancient sage Kapil who was then deep into meditation. On their search for horse, the 60,000 sons stormed the ashram of Kapil and just before the attack on him the sage opened his eyes and reduced all the 60,000 sons of King Sagar except Asamanjas to ashes. King Sagar's grandson Anshuman was successful in recovering the horse from Kapil and was told that those 60,000 burnt will attain heavenly adobe if Ganga is brought down from heaven & their ashes were sleaned by its water. Then the great task of bringing Ganga to earth started. Anshuman failed and so did his son Dilip but his grandson Bhagirath succeeded.

The intense meditation made Ganga to descend from heaven and in order that the earth is not flooded, it remained suspended in the matted locks of Lord Shiva's hair. Shiva pleased with King Bhagirath, released Ganga in seven streams - the most sacred streams came to be known as Bhagirathi (started from Gangotri). King Sagar's 60,000 sons' ashes were touched with Ganga water and thus they were bestowed with eternal rest in heaven.

According to legends, Lord Shiva rewarded King Bhagirath after his penance and Ganga came down to earth. However, due to her pride, and the fact that the earth would be devastated if Ganga came down in her full force, Lord Shiva caught her in his hairs. It was then proclaimed that Goddess Uma or Parvati, would bathe in the Ganges daily and only then would she descend on the earth. The sacred stone near the temple denotes the place where Ganga first came down to earth.

According to legend, holy Yamuna is the daughter of the Sun God, Surya and the Goddess of Consciousness, Sangya. Along with this, Yamuna is the sister of Yama, the God of death. This makes this place holy for any Hindu with a purpose that anyone who bathes in the waters of the river will never undergo a painful death.

Another legend says that the worshipped sage, Asit Muni, dwelled here in the ancient days.

According to the legend ancient sage Asit Muni had his hermitage here. All his life, he bathed daily both in Ganga and Yamuna. Unable to go to Gangotri during his old age, a stream of Ganga appeared opposite Yamunotri for him.

The temple and the place opens every year on the auspicious day of the akshya-tritya, which generally falls during the last week of April, or the first week of May.

The temple always closes on the sacred day of Diwali mid- Oct. - 1st week of Nov., with a brief ceremony, the temple staff return to their villages and for the rest of the time the valley is gripped in no man silence and covered with white sheet of snow. With melting of snow next summer, temple re-opens to blissful happiness of thousands of visitors again.

"The daughter of the Sun god, Surya and consciousness, Sangya the birth place of the Yamuna is the Champasar Glacier (4421 m) just below the Banderpoonch mountain. The mountain adjacent to the river source is dedicated to her father, and is called Kalinda Parvat. Kalinda being another name of Surya. Yamuna is known for her frivolousness, a trait that she developed because as per a common story - Yamuna's mother could never make eye contact with her dazzling husband.

The mountains around Badrinath are mentioned in the Mahabharata, when the Pandavas are said to have ended their life by ascending the slopes of a peak in western Garhwal called Swargarohini - literally, the 'Ascent to Heaven'. Local legend has it that the Pandavas passed through Badrinath and the town of Mana, 4 km north of Badrinath, on their way to Swargarohini. There is also a cave in Mana where Vyas, according to legend, wrote the Mahabharata.

According to the Skanda Purana: “There are several sacred shrines in heaven, on earth, and in hell; but there is no shrine like Badrinath.”

The area around Badrinath was celebrated in Padma Purana as abounding in spiritual treasures.
According to Vamana Purana, the sages Nara and Narayana (fifth avatar of Lord Vishnu) perform Penances here.

Badrinath has also been eulogised as Bhu Vaikunta or earthly abode of Lord Vishnu. Many religious scholars such as Ramanujacharya, Madhawacharya and Vedanta Desika visited Badrinath and wrote sacred texts, such as commentaries on Brahmasutras and other Upanishads.

References to Sri Badrinath have been made in the Vedas & perhaps it was a popular shrine during the Vedic age also. The Skand Purana gives an account of the Adiguru consecrating the idol of Lord Badri Vishal in the temple after recovering it from Narad Kund, in a pursuance of a divine call from heaven. The idol is made of black stone similar to granite. So holy is the shrine that it forms one of the four prominent places of Hindu worship. The epic Mahabharat, it is believed, was composed in the Vyas & Ganesh caves close by. The Vishnu Ganga which later becomes the Alaknanda flows below the temple.